Friday, June 1, 2018

DEVIL THEORY GETS DOOMED AND STONED

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Devil Theory Makes a Diabolical Entrance

~By Tom Hanno~

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Today, I was turned onto a relatively new band called DEVIL THEORY, who will soon unleash their debut EP, ‘Descension’ (2018), upon the world. Drawn in by the rather ominous album cover, without hearing a stich of music, I contacted the Oklahoma outfit for a promo to satisfy my curiosity. When I finally had a chance to soak in all four tracks, let’s just say “pleasantly surprised” seems like an understatement. This is straight up awesome: full of killer riffs, superb vocals, and a solid rhythm section that holds everything together nicely.
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Devil Theory says, “We describe ourselves as doom metal, but we have several elements of traditional heavy metal, stoner metal, progressive rock, black metal, post-metal, etcetera. We’re influenced by many things old and new and I think it shows in our music.” Listening to this release, I can hear every element described and it all meshes together to create something very special, especially remarkable in light of the fact this is a debut effort.
Formed just 18 months ago in 2016, Devil Theory is the collaboration of vocalist Chris Stokes (former Zerotheist), guitarist Patrick Swinney (ex-Avis Praeda), bassist Mister Meffert (also with Glasgow Smile), and drummer Emery Dee.

The first track is called “Hallowed Witch” and it is the best thing I have heard this month. The intro is a beautifully played acoustic guitar, with a very tasteful bass line underneath it. When the riff kicks in, it is driving and powerful, immediately inviting me to headbang along with it. The vocals are gritty and absolutely perfect for the song. The chorus is immense and entirely memorable. Actually, every aspect of this track is phenomenal – just killer stuff!


Moving forward, “Beneath the Tide” unveils a haunting guitar lead with a clean tone. Things get progressively fuzzier as the band enlarges that riff to perfection. The verses have an almost psychedelic quality about them, while remaining firmly rooted in a doom-stoner vibe. Towards the latter half of the song, Devil Theory speed things up, entering near thrash metal territory, before finally settling back down into the band’s trademark groove.
The other two tracks are equally amazing, but I like to leave you with a bit of a surprise so they’ll remain a mystery until you decide to spin the record. Devil Theory’s Descension is now available on multiple platforms and I strongly suggest you grab hold of this amazing album, as I did. Enjoy!

Get Their Music.
Get Their Music.


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